Galileo Galilei
PERSONAGE
GALILEO GALILEI
He was a physicist and philosopher of nature (Pisa 1564 - Arcetri 1642). The eldest son of Vincenzo, a musician and music theorist, and Giulia Ammannati, he spent his childhood between Pisa and Florence (from 1574). On September 5, 1580 (1581 according to the Pisan calendar) he was matriculated among the "artist pupils" at the University of Pisa. Leaving the university in 1585, without obtaining any degree, under the guidance of Ostilio Ricci, a member of the Florentine Academy of Drawing, he undertook the reading of Euclid and Archimedes. He soon progressed so far in his studies that he was in turn able to give private lessons to several students in Florence and Siena. His earliest writings date from this period. In 1589 he was assigned the chair of mathematics in Pisa. A few years later, in 1592, he was assigned the chair of mathematics in Padua. Alongside this teaching activity G. kept a small technical workshop, sent ahead by the mechanic Marcantonio Mazzoleni, where geometrical and military compasses, compasses, squares and other mechanical instruments, later telescopes, were produced and sold. In his later years he worked on determining longitudes, building pendulum clocks, mechanical problems, and moonlight. He died in Arcetri on January 8, 1642. Plans for a solemn burial in Santa Croce were forbidden by Rome and were not realized until 1737.
DIALOGUE OVER THE TWO GREATEST SYSTEMS
This is undoubtedly Galileo's most famous work, which unfortunately earned him a trial and a harsh sentence. Galileo had already expounded his hypotheses in Rome in 1616, encountering quite a bit of resistance. He completed the work in January 1630 and structured it as a dialogue between three characters - Simplicio (taking the name of the ancient 6th-century philosopher Simplicius of Cilicia), Sagredo and Filippo Salviati - it was immediately a huge success. He divided it into days, during each of which a different topic is addressed. During the first day the systems, heliocentric and geocentric, are compared, the second focuses on the rotational motion of the earth, the third discusses the tides, and the fourth is devoted entirely to the topic of the ebb and flow of the sea.
"I would say here what I understood as an ecclesiastical person constituted in the most eminent degree, that is the intention of the Holy Spirit to be to teach us how to go to heaven, and not how to go to heaven."
Galileo destroyed in one fell swoop all certainties concerning the organization of the known universe. Not surprisingly, his theses were rejected so harshly: the Church, which had first granted his imprimatur, radically changed its position, placing him on the Index of Forbidden Books in 1633. Galileo was suspected of heresy and accused of trying to subvert Aristotelian natural philosophy and the Holy Scriptures. For This reason, he was tried and condemned by the Holy Office, as well as forced, on June 22, 1633, to abjure his astronomical conceptions and to force residence in the archbishop's palace in Siena. It was not until December 1633 that he was able to return to Arcetri, where he spent the last years of his life in a state of supervised residence. He paid a heavy price but defended to the last the importance of knowledge.
CURIOSITY
Mea Culpa
In 1992 the Vatican formally erased, four centuries later, all the accusations made against Galileo. Then in 2000, on the occasion of the Jubilee, there was Giovanni Paolo II's mea culpa.
The missing finger
One hundred years after Galileo's death, when his body was moved for reburial, an admirer cut off the middle finger of his right hand. The relic is now on display at the Museum of the History of Science in Florence. And it points toward Rome.
The experimental scientific method
Galileo Galilei introduced the experimental scientific method: it is based on an initial observation, followed by an experiment, which is developed in a controlled manner so that the phenomenon to be studied can be reproduced. The purpose of the experiment is to validate or disprove the hypothesis that the scientist has formulated, a hypothesis that aims to explain the mechanisms underlying that particular event.
BUSTS
Romualdo Del Bianco Foundation
The Romualdo Del Bianco Foundation was established in the 1990s in Florence by an enlightened entrepreneur to foster opportunities for young people from different cultures and countries to meet. The saying is: "For peace in the world, among young people from different countries, with Culture, meeting, knowing, understanding each other to develop friendship among peoples." The Foundation stimulates the exercise of respect for the diversity of cultural expressions, helping to develop friendly relations among Peoples through the organization of international meetings preferably in cultural places or heritage sites, promoting and implementing initiatives, research, publications, awards and scholarships under the banner of "Heritage for Dialogue among Cultures," non-profit.
Donations
During its activity, the Romualdo Del Bianco Foundation® has donated to 4 local administrations a white Carrara marble bust depicting Galileo Galilei "Observer of the Skies" as a wish for farsightedness and determination in their convictions with which local public authorities are called to respond in the daily administration and enhancement of their territories.
The Busts
Through the donation of busts made of white Carrara Marble, the Romualdo Del Bianco Foundation has strengthened the ties of friendship and collaboration with numerous Italian and international institutions and told the value of fine Italian art by identifying some representative figures of World Heritage. The bust depicting Galileo Galilei is exhibited in various venues around the world: Auditorium al Duomo (Florence, Italy), Krakow Municipal Engineering Museum (Krakow, Poland), Municipal Science Pole for Youth (Kyoto, Japan), Province of Benevento - Museum of Sannio (Benevento, Italy).
WORK
Information about the bust and the author
Galileo Galilei "Observer of the Skies" is by sculptor Dino De Ranieri of Pietrasanta, made of white Carrara marble taken from the Michelangelo Quarry in the Apuan Alps in Tuscany. The work consists of the bust weighing about 180kg and measuring about 80x40x33cm and the base about 33x33cm.
The author of the sculpture is Dino De Ranieri
These are his words about the work: " It is a common belief that figurative portrait is a secondary art form that has less creative value. Personally I think the complete opposite. Only an Artist capable of managing Artistic techniques will be able to give "life" to the portrait and highlight the uniqueness of Galileo Galilei."
Bust I
Auditorium al Duomo, Florence, Italy
Bust IV
Province of Benevento - Museum of Sannio, Benevento, Italy
Bust II
City of Krakow - Museum of Municipal Engineering, Krakow, Poland
Bust III
Kyoto Municipality - Municipal Science Center for Youth, Kyoto, Japan